Publications

Recent Publications
(see my CV for a complete list)

Ph.D. Dissertation

Gurevich, M. (2006). Computational Acoustic Modeling of Cetacean Vocalizations. Stanford University.

Book Chapters

• Verplank, B., Gurevich, M. & Mathews, M. (2017). The Plank: Designing a Simple Haptic Controller. In M. Lyons & A. Refsum Jensenius, eds. The NIME Reader, London: Springer, 53-60.
• Gurevich, M. & Verplank, B. (2017). Personal Reflections on The Plank. In M. Lyons & A. Refsum Jensenius, eds. The NIME Reader, London: Springer, 60-61.
• Gurevich, M. & Treviño, J. (2017). Expression and Its Discontents: Toward an Ecology of Musical Creation. In M. Lyons & A. Refsum Jensenius, eds. The NIME Reader, London: Springer, 271-282.
• Gurevich, M. & Treviño, J. (2017). Discontent in Retrospect. In M. Lyons & A. Refsum Jensenius, eds. The NIME Reader, London: Springer, 282-284.
• Gurevich, M. (2017). Distinguishing the Digital. In M. Lyons & A. Refsum Jensenius, eds. The NIME Reader, London: Springer, 301-302.
• Gurevich, M. (2014). Skill in Interactive Digital Music Systems. In The Oxford Handbook of Interactive Audio. Karen Collins, Bill Kapralos, and Holly Tessler, eds. New York: Oxford University Press.

Journal Articles

• Gurevich, M. (2016). Diversity in NIME Research Practices. Leonardo 49(1), 80-81.
• Gurevich, M. (2015). Interacting with Cage: Realising classic electronic works with contemporary technologies. Organised Sound 20(3), 290-299.
• Gurevich, M., Marquez-Borbon, A., & Stapleton, P. (2012). Playing with constraints: Stylistic variation with a simple electronic instrument. Computer Music Journal 36(1), 23-41.
• Gurevich, M., & Fyans, A.C. (2011). Digital musical interactions: Performer-system relationships and their perception by spectators. Organised Sound 16(2), 166-175.
• Gurevich, M. (2010). Guest editor’s note. Computer Music Journal 34(4),4-5.
• Chafe, C., Caceres, J. P., & Gurevich, M. (2010). Effect of temporal separation on synchronization in rhythmic performance. Perception 39(7), 982-992.

Refereed Conference Papers

• Tahiroglu, K., Gurevich, M., and Knapp, B. (2018). Contextualising Idiomatic Gestures in Musical Interactions with NIMEs. In Proceedings of the International Conference on New Interfaces for Musical Expression, Blacksburg, Virginia, pp. 126-131.
• Gurevich, M. (2017). Discovering Instruments in Scores: A Repertoire-Driven Approach to Designing New Interfaces for Musical Expression. In Proceedings of the International Conference on New Interfaces for Musical Expression, Copenhagen, Denmark, pp. 163-168.
• Holland, S., Gurevich, M., et al. (2016). Music and HCI Workshop. In CHI Extended Abstracts, International Conference on Human Factors in Computing Systems, ACM Press, San Jose, California.
• Sheffield, E. & Gurevich, M. (2015). Distributed Mechanical Actuation of Percussion Instruments. In Proceedings of the International Conference on New Interfaces for Musical Expression, Louisiana State University.
• Alexander-Adams, S. & Gurevich, M. (2015). A Flexible Platform for Tangible Graphic Scores. In Proceedings of the International Conference on New Interfaces for Musical Expression, Louisiana State University.
• Gurevich, M. (2014). Distributed Control in a Mechatronic Musical Instrument. In Proceedings of the International Conference on New Interfaces for Musical Expression, Goldsmiths University of London.
• Gurevich, M. (2012). Spectators of Mobile Musical Interactions: Opportunities and Challenges. Workshop on Designing Musical Interactions for Mobile Systems. Proc. 9th ACM conference on Designing Interactive Systems.
• Fyans, A.C., Marquez-Borbon, A., Stapleton, P., & Gurevich, M. (2012). Ecological considerations for participatory design of DMIs. In Proceedings of the Conference on New Interfaces for Musical Expression, University of Michigan.
• Booth, G., & Gurevich, M. (2012). Collaborative Composition and Socially Constructed Instruments: Ensemble Laptop Performance Through the Lens of Ethnography. In Proceedings of the Conference on New Interfaces for Musical Expression, University of Michigan..
• Booth, G., & Gurevich, M. (2012). Proceeding from Performance: An Ethnography of the Birmingham Laptop Ensemble. In Proceedings of the International Computer Music Conference.
• Gurevich, M., Donohoe, D., & Bertet, S. (2011). Ambisonic Spatialization for Networked Music Performance. In Proceedings of the 17th International Conference on Auditory Display (ICAD-2011).
• Marquez-Borbon, A., Gurevich, M., Fyans, A.C., & Stapleton, P. (2011). Designing Digital Musical Interactions in Experimental Contexts. In Proceedings of the Conference on New Interfaces for Musical Expression (pp. 373-376).
• Fyans, A.C., & Gurevich, M. (2011). Perceptions of Skill in Performances with Acoustic and Electronic Instruments. In Proceedings of the Conference on New Interfaces for Musical Expression (pp. 495-498).
• Gurevich, M., Stapleton, P., & Marquez-Borbon, A. (2010). Style and constraint in electronic musical instruments. In Proceedings of the Conference on New Interfaces for Musical Expression (pp. 106–111).
• Fyans, A.C., Gurevich, M., & Stapleton, P. (2010). Examining the spectator experience. In Proceedings of the Conference on New Interfaces for Musical Expression (pp. 451–454).
• Gurevich, M., Stapleton, P., & Bennett, P. (2009). Designing for style in new musical interactions. In Proceedings of the Conference on New Interfaces for Musical Expression (pp. 213–217).
• Fyans, A. C., Gurevich, M., & Stapleton, P. (2009). Where did it all go wrong? A model of error from the spectator’s perspective. In Proceedings of the Conference on New Interfaces for Musical Expression (pp. 171–172).
• Fyans, A. C., Gurevich, M., & Stapleton, P. (2009). Spectator understanding of error in performance. In Proceedings of the Conference on Human Factors in Computing Systems Extended Abstracts (pp. 3955–3960).
• Gurevich, M., & Treviño, J. (2007). Expression and its discontent: Toward an ecology of musical creation. In Proceedings of the Conference on New Interfaces for Musical Expression (pp. 106–111).
• Gurevich, M. (2006). JamSpace: A networked real-time collaborative music environment. In Proceedings of the Conference on Human Factors in Computing Systems Extended Abstracts (pp. 821–826).
• Gurevich, M., Chafe, C., Leslie, G., & Tyan, S. (2004). Simulation of networked ensemble performance with varying time delays: characterization of ensemble accuracy. In Proceedings of the 2004 International Computer Music Conference.